
Film Office scouts locations to bring in filmmakers
When the studio
that’s producing My One and Only sent a script
to the Maryland Film Office, “we could see that it called for
locations in a number of major cities during the 1950s – none
of which were Baltimore,” says Kathi Ash, project manager for
the office.
Sending a script
to a state’s film office for suggestions
on where to film is typically one of the first steps in the production
process. For My One and Only – a movie starring Renee Zellweger
that recently wrapped up six weeks of shooting in Maryland – the
Film Office had to come up with locations that would stand in for
New York, Boston, Philadelphia, Pittsburgh and St. Louis – all
circa 1954.
Scouting locations
is one of Ash’s prime responsibilities.
She’s had plenty of experience in that capacity, having worked
as a location manager and production coordinator in the film industry
before she joined the Film Office in 2002. Her film and television
credits include Tuck Everlasting, Blair Witch II, Liberty Heights, Homicide: Life in the Street and Guarding Tess.
Last week, she
was scouting locations in Cecil and Kent counties. Sometimes she
travels alone. Other times, she has a resident expert
with her – like the director of tourism for Cecil County.
Ask
permission
When she sees
a house or a building that might be right for a particular scene,
she’ll knock on the door and ask permission to take
photos of the property if the owner indicates interest in having
the property considered for the production.
“If no one is home,” she says, “I’ll leave
a note with my card – I won’t take the picture then.
I always ask for permission.” Even for government-owned buildings – especially
ones that are sensitive to security issues – it’s a good
idea. She jokes that if she were to take out her camera in front
of certain buildings, “I’d have a bunch of rifles pointing
at me.”
Ash,
along with other members of the Film Office, will assemble a digital
package
of location photos to send to a studio or production
company in response to the studio’s script submission and query
regarding locations. She can tap into the Office’s online bank
of location photos or obtain new images as she scouts for just the
right location. When she’s looking for locations, she usually
has a particular project in mind.
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